My wonderful friend
Le Smarginatura (Margin Cancellation)
An elderly man, every time Elena is greeted, does not know him well, something strange happens. "It's so beautiful," said the man, a tone used to describe a trim on a butcher's shop in a sensible tone. Everyone who travels to the center of Naples from his father starts this way – and (I think) is complementary, and Elena is the only girl who wants to be a pretty girl. They do not say that they are happy to meet or ask how the city is going. His work, apparently, must be decorative, and his father's blessing is if he fulfills this role. In the 1950s, they were not exactly the age of excitement of gender equality, but still.
The inadequate dimension of women and men in the fourth section includes all the colors, which Lila and Elena have slipped from one end of adolescence to women, which, unfortunately, causes them. It is a competition between these two girls, yet two participants take part, Lila is mastering the life of adolescence and offering the romance romantic romance, and the first and then shaking Elena. boyfriend only to notify Lila news.
It is directed by both parties, like the last and most memorable episode Crispy girl never done
The first aspect of the Gigliola family housing brings anxiety to puberty anxiety. The girls, of course, seem to spend more time in time: they both lower their hair and dress up as normal. In the beginning partygoers have joined forces with people who have spent their time magnetically. But then the radio is rocketed and someone calls it "Rock & Roll; girls and boys begin to gather together, while slowly increasing the daring dance moves. Everyone has been secretly engaged, and honestly, the party seems pretty fun.
(I left the scenes on the scenes scene without a nuisance, but this specific scene, which was a court of dance, was the exact state we wrote in the current writer: Pasquale drinks a glass of glass. "Lila does not want to dance "The party is full!")
Lila is really one of the few moments we have seen, her departure, Pasquale's steps and steps, sliding into her face. Lila is obsessed with learning to dance – and she still has more abilities to be able to understand -, but her body sways to overcome the joyous movement she ought to anticipate in her mind. Pleasure is an unrestrained moment My wonderful friend, and Napolean culture is a fascinating remembrance of ours as ours; Lila or Elena are looking for happiness and they are constantly surprised on their way.
But the sight of mobile Lila mobs is hungry because of hunger for men on the frontiers of the party. The camera is slipping across its face, we see a sudden impulse on the face, how to take Lila, kiss her or slide it behind it. Marcella Solara is after all, but Spagnuolos, after reporting the shot to Carraccis (Don Achille's family). Spagnuolos has no choice at all (the show is not entirely clear, but in the novel Signor Spagnuolo works in the Solaras bar for cakes), the smart camera is flashing around the room, a scene to dress up Jets vs. Sharks vibe.
First of all, Lila can not see the gap behind, when they go back and forth to the body. But then, very subtly, he does not do it, and does not move indifferently, touching Marcello and sliding slowly. Solaras disdained – it was not long ago that Elena put his wrist on his hand, but Marcellus's power and look were beautiful. When he took it, however, and he says to him after Pasquale says he has to leave the time, he faces it. His signature defiance no one left his saying.
Pasquale, communist for being Elena, plays Solaras at the primate level. After the Second World War, the fascist Mussolini's body was hanging over the petrol station in a small Italian town and after being hit by hammocks and bumps, the movement of the republic to boost an economic boom, including the south, including Naples, was largely abandoned. Thugs such as Solaras, who entertained the mafiosos and wealthy black goods, which almost no ordinary Italians could have, were the nemesis of the Communists. Their feud, driven by Don Achille's murder and the imprisonment of Father Pasquale, make the politics even more personal.
But the tension of the Spagnuolo party is nothing against the testosterone-inflamed fireworks. It's a fight over primacy, not one claim to Lila to get another one. What more fireworks artifices (I've just let the falcon metaphor speak this) speaks of the neighborhood. It can not be quite a win, Solaras raises the betting of the game, directed directly to Carraccis's roof. Although he joined forces, Carraccis and riffraff (Pasquale, Enzo, Rino) kneeled. Rino especially.
There are tamer, although there is no higher stakes, experience, too. Elena Nino Sarratore, who was a poet-son, asked her to go to school with her girlfriend, or not, as she discussed with her inner self. He has once again shown that in his life, nowadays, he looks better than just the right babies than any other teenager, now tidy, bespectacled and looking better. It seems all boys are interested in Lila, such as Stefano Carraci and Pasquale, but boys are out of sight. A decade later, he is guessing a way to get riches and, of course, leaving behind the neighborhood. Rino's footwear is the star of her latest plot, and as she demands a little waterproof, she wants to cross this line just when she is doing it and doing it.
The first scene, however, indicates how little Lila's world is still. Certainly, he has not left the neighborhood yet. The sea has not seen. He teaches the Greek alphabet and goes to Elena to the rage, but without any practical solution to the mind, he joins the shoemaker with schemes that are considered as the basis for his brother's talent. Elena 50 years later called Elena, explaining that Lila is missing. Is this basically never left in the neighborhood?
Elena's tours in Naples are practical. Every day, it is necessary to learn the bus route that goes to school, but at the same time it is only left to the neighboring neighborhoods with single parent parents. As the novel explains, "We spent the whole day together, the only one of our lives … He offered himself to himself, as if he wanted to communicate with his existence for a few hours." He loved him. "
But when he is taken to the town council where he works, and when a very important judge begins to enter, the judge Sorgin Grece waves his hand. The referee is very busy like a goalkeeper, especially the goalkeeper's daughter. But that does not stop signor Greco and his colleagues about singing jury praises and how significant it is.
Yes, Elena finally sees the sea that day. He feels "afraid of light." Perhaps, perhaps, the most important day of the day, it is so clear in his father's station. The bus can reach the heart of the city every day, it can pass through large-scale buildings, but its location is still very low. Elena prefers it.